Artistic Roots

When we think of Canadian music, there is no shortage of talent that comes to mind: Be it the classical mastery of Glenn Gould, the innovative jazz of Oscar Peterson, the revolutionary folk of Buffy Sainte-Marie, or the iconic Canuck rock of The Tragically Hip, Canadians have a lot to celebrate.

But long before Canada became a country, this land was home to the rich variety of music created by Indigenous peoples and passed down through the generations.

When colonization began, Europeans brought with them their own musical styles and instruments. While the numerous societies in pre-Confederation Canada would struggle to maintain their cultural traditions, they also happened to influence each other, creating unique hybrid styles of music.

In the years just before and after 1867, many popular songs of the day dealt with the topic of Confederation — some championing the idea, some criticizing it — while other songs told the stories of events such as Métis leader Louis Riel’s Red River resistance of 1869–70. A few songs from that era have endured, and many traditional styles can still be heard.

The sounds may have changed over the last 150 years, but the traditions of social commentary and storytelling through music can still be heard loud and clear.

Most major art galleries across Canada contain Indigenous art in their collections, but it hasn’t always been this way. When Canada was formed 150 years ago, Indigenous art was largely misunderstood by European settlers — and it remained so over the next century.

Canadian music has continued to evolve, while the variety of music has grown exponentially. 

In the nineteenth century, scenes of exploration, cross-cultural contact, and settlement were popularized by artists such as Paul Kane, Frances Anne Hopkins, and Cornelius Krieghoff. During this period, Europeans were largely unfamiliar with Indigenous cultures and viewed these scenes through a veil of exoticism.

After Confederation and the expansion of the railways, artists and photographers had easier access to remote regions. Their painting allowed people in urban areas to view Canada’s natural splendour without leaving home. You can explore these landscapes in the works of Emily Carr and Tom Thomson, both of whom had a profound influence on modern Canadian art.

In the early twentieth century, the Group of Seven continued the movement to connect Canadians with the country’s boreal forests and endless lakes, creating a bold new style of Canadian art. Despite their disbanding in 1933, the Group of Seven produced works that continue to resonate with many Canadians.

In the late twentieth century, the Professional National Indian Artists Incorporation was founded. The group’s goal of empowering artists to express the Indigenous experience through multiple perspectives led to the broader recognition of Indigenous artists in Canada.

Today, Indigenous art and artists — from early innovators such as Kenojuak Ashevak, Bill Reid, and Norval Morrisseau to contemporary artists like Rebecca Belmore, Brian Jungen, and Kent Monkman — are celebrated across Canada.

Many Indigenous artists employ traditional techniques like Inuit sculpting and printmaking, Métis beadwork, and Haida designs and carving. Others use classical European techniques and contemporary practices to create works expressing contemporary subjects. Regardless of training or technique, artists continue to express concern for society, and they draw attention to social, political, racial, and environmental issues through their work.